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The Slow Violence of Attention within Post-Digital Aesthetic Experience

Dmitrieva’s analogue practice challenges the accelerated visual regimes of the post-digital world, using masked and vegetal figures to interrupt the demand for clarity, recognition, and instant meaning. Her slow, tactile method becomes a counter-technology that restores attention as a material practice, allowing subjectivity to emerge as porous, provisional, and resistant to imposed narratives.

Feb 19, 20234 min read

Syntax Interrupted in the Linguistic Structure of Ruins and the Aftergrammar of Bombed Civic Space in Ukraine

In Fault Lines of Speech, architectural fragments from bombed spaces in Ukraine form fractured grammar, revealing language’s survival through destruction.

Feb 13, 20233 min read

The Weight of Silence. Sculpture as Breath and Delay

Image © Atticus Gallery One enters Suspended Intuition , Larisa Razumeichenko’s recent solo exhibition at Atticus Gallery in Bath, not through spectacle but through a slow unfolding of restraint. The gallery, dimly lit and meticulously composed, does not assert itself. Rather, it listens. The works do not stand out—they hold space. They emerge not as declarations but as quiet provocations, suspended within a field of perceptual hesitation. This is an exhibition built not upon

Jan 18, 20234 min read

Exhibition Announcement: 'Resilience in Red: Art in Support of Ukraine' at Temple Gallery, Birmingham

Curated by Sasha Burkhanova-Khabadze, "Resilience in Red" at Temple Gallery highlights art as resistance and solidarity.

Dec 14, 20222 min read

And Again, Vanitas. Damien Hirst in Prada Mode

In Levenson's Quick Print, transformed into The Pharmacy by Damien Hirst, pills serve as guides to salvation, skeletons serve as...

Dec 8, 20222 min read

The Ethics of Fragility

Exhibition: The Soft Edge of Being — Atticus Art Gallery , 11a Queen Street, Bath, BA1 1HE, United Kingdom. Dates: 10 November – 23 December 2022. In the quiet rooms of Atticus Art Gallery, The Soft Edge of Being unfolds as an inquiry into what remains of perception after catastrophe. The exhibition was realised through the support of Eastside Projects , Birmingham — an artist-led organisation that provided curatorial and structural assistance in collaboration with The

Nov 13, 20224 min read

Oxidation as Slow Violence within Domestic Infrastructures

Corrosion speaks as pigment and politics: rust turns domestic fragments into testimony of slow, unspectacular collapse.

Sep 12, 20226 min read

Perception and Identity in Visual Dialogue at the Small Gallery, Grampian Hospitals Art Trust

Exhibition at GHAT explores identity and perception through intricate patterns, offering a transformative experience.

Aug 21, 20224 min read

Temples in Twilight. A Treatise on the Sublime Indifference of History

A Tragedy in Stone and Silence explores the spectral politics of architecture, where history lingers as an unresolved trace of erasure.

Sep 15, 20214 min read

The Certainty of Glass and the Doubt of Vision

Atticus Art Gallery, Bath | 9 September - 31 October In Refraction Index: 1.52 , the solo exhibition by artist Suzanna Voit, who was born in Kazakhstan, at Atticus Gallery, Bath, the viewer is immersed in an experience that moves far beyond objecthood. Voit’s work operates at the intersection of sculptural materialism, perceptual psychology, and environmental engineering. Her forms—composed of meticulously cast and machined glass—serve not as static works of art but as instru

Sep 14, 20214 min read

The Ethics of Proximity — Material Thinking in the Post-Visible Condition

Sculpture as thought and touch; fragility becomes structure, and stillness unfolds as a form of resistance.

Sep 9, 20215 min read

What Escapes the Chisel in the Non-Ideal Classical Sensorium

A ritual of surface and memory, where fractured images evoke intimacy, erosion, and the unstable terrain of personal myth.

Jul 14, 20214 min read

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