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Among Chinese artists, 55-year-old Zhang Huan is considered a contemporary art luminary, second only to Ai Weiwei. His artistic journey...

Paris has recently experienced a resurgence of excitement, particularly this autumn, following the lifting of the last health...

The archive is not preserved; it is fatigued. Loss emerges not from absence but from excess administrative intervention.

Duplication unsettles: near symmetry fractures into difference, where fragility becomes the condition for relation.

Not an exhibition but aftermath: matter lingers, unstable, unspectacular—where combustion has ceased, but its heat remains.

The Prague Quadrennial (PQ) stands as a distinguished international competitive exhibition, showcasing scenography, theatre architecture,...

Grief made atmospheric—images unravel, refusing resolution, holding only what presence fails to contain.

Dmitrieva’s analogue practice challenges the accelerated visual regimes of the post-digital world, using masked and vegetal figures to interrupt the demand for clarity, recognition, and instant meaning. Her slow, tactile method becomes a counter-technology that restores attention as a material practice, allowing subjectivity to emerge as porous, provisional, and resistant to imposed narratives.

In Fault Lines of Speech, architectural fragments from bombed spaces in Ukraine form fractured grammar, revealing language’s survival through destruction.

Image © Atticus Gallery One enters Suspended Intuition , Larisa Razumeichenko’s recent solo exhibition at Atticus Gallery in Bath, not...

Udo Kittelmann stands as a prominent figure in the contemporary art scene, having spearheaded several large-scale exhibition projects in...

In Levenson's Quick Print, transformed into The Pharmacy by Damien Hirst, pills serve as guides to salvation, skeletons serve as...