All Articles

Towards the Celestial Empire. New Art of China

Among Chinese artists, 55-year-old Zhang Huan is considered a contemporary art luminary, second only to Ai Weiwei. His artistic journey...

Mar 20, 20252 min read

Through Fears and Illusions: Anne Imhof

Paris has recently experienced a resurgence of excitement, particularly this autumn, following the lifting of the last health...

Jul 3, 20243 min read

Ambiguities of Possession in the Administrative Imaginary

The archive is not preserved; it is fatigued. Loss emerges not from absence but from excess administrative intervention.

Apr 15, 20244 min read

Duplication as Disruption and the Poetics of Near Symmetry

Duplication unsettles: near symmetry fractures into difference, where fragility becomes the condition for relation.

Sep 15, 20234 min read

Combustion Without Witness

Not an exhibition but aftermath: matter lingers, unstable, unspectacular—where combustion has ceased, but its heat remains.

Sep 14, 20234 min read

Interdisciplinary Quadrennial. Impressions from Prague

The Prague Quadrennial (PQ) stands as a distinguished international competitive exhibition, showcasing scenography, theatre architecture,...

May 2, 20232 min read

Bleeding Edges: Painting as Psychic Residue in a Post-Tactile Age

Grief made atmospheric—images unravel, refusing resolution, holding only what presence fails to contain.

Mar 28, 20233 min read

The Slow Violence of Attention within Post-Digital Aesthetic Experience

Dmitrieva’s analogue practice challenges the accelerated visual regimes of the post-digital world, using masked and vegetal figures to interrupt the demand for clarity, recognition, and instant meaning. Her slow, tactile method becomes a counter-technology that restores attention as a material practice, allowing subjectivity to emerge as porous, provisional, and resistant to imposed narratives.

Feb 19, 20234 min read

Syntax Interrupted in the Linguistic Structure of Ruins and the Aftergrammar of Bombed Civic Space in Ukraine

In Fault Lines of Speech, architectural fragments from bombed spaces in Ukraine form fractured grammar, revealing language’s survival through destruction.

Feb 13, 20233 min read

The Weight of Silence. Sculpture as Breath and Delay

Image © Atticus Gallery One enters Suspended Intuition , Larisa Razumeichenko’s recent solo exhibition at Atticus Gallery in Bath, not through spectacle but through a slow unfolding of restraint. The gallery, dimly lit and meticulously composed, does not assert itself. Rather, it listens. The works do not stand out—they hold space. They emerge not as declarations but as quiet provocations, suspended within a field of perceptual hesitation. This is an exhibition built not upon

Jan 18, 20234 min read

And Again, Vanitas. Damien Hirst in Prada Mode

In Levenson's Quick Print, transformed into The Pharmacy by Damien Hirst, pills serve as guides to salvation, skeletons serve as...

Dec 8, 20222 min read

The Ethics of Fragility

Exhibition: The Soft Edge of Being — Atticus Art Gallery , 11a Queen Street, Bath, BA1 1HE, United Kingdom. Dates: 10 November – 23 December 2022. In the quiet rooms of Atticus Art Gallery, The Soft Edge of Being unfolds as an inquiry into what remains of perception after catastrophe. The exhibition was realised through the support of Eastside Projects , Birmingham — an artist-led organisation that provided curatorial and structural assistance in collaboration with The

Nov 13, 20224 min read