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Among Chinese artists, 55-year-old Zhang Huan is considered a contemporary art luminary, second only to Ai Weiwei. His artistic journey...

A luminous convergence of painting, sculpture, and photography, dissolving the borders between media, memory, and perception.

Paris has recently experienced a resurgence of excitement, particularly this autumn, following the lifting of the last health...

The archive is not preserved; it is fatigued. Loss emerges not from absence but from excess administrative intervention.

Svitlana Lushnikova’s I Burn, and Yet I Live explores cultural resilience through charred Slavic motifs, blending heritage and defiance.

Duplication unsettles: near symmetry fractures into difference, where fragility becomes the condition for relation.

Not an exhibition but aftermath: matter lingers, unstable, unspectacular—where combustion has ceased, but its heat remains.

Kaplan’s forms resist clarity—shapes that fold inward, dissolve, and linger in the haze of withheld meaning.

The Prague Quadrennial (PQ) stands as a distinguished international competitive exhibition, showcasing scenography, theatre architecture,...

Grief made atmospheric—images unravel, refusing resolution, holding only what presence fails to contain.

In Fault Lines of Speech, architectural fragments from bombed spaces in Ukraine form fractured grammar, revealing language’s survival through destruction.

Image © Atticus Gallery One enters Suspended Intuition , Larisa Razumeichenko’s recent solo exhibition at Atticus Gallery in Bath, not...