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The Royal Society of Marine Artists opens its Annual Exhibition at Mall Galleries this week, presenting several hundred works united by a single subject: the sea. Now in its ninth decade, the show offers a functioning market and critical apparatus for figurative marine art outside the contemporary gallery mainstream.

Tracey Emin: A Second Life at Tate Modern brought together four decades of work shaped by autobiography, the body, trauma and survival. From My Bed to recent paintings and bronzes, the retrospective revealed how Emin’s confessional practice has evolved into a meditation on mortality, memory and renewal.