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The National Gallery’s first exhibition devoted to Ferdinand Georg Waldmüller closes this weekend after an eleven-week run of thirteen works on loan from Vienna’s Belvedere. The show traces the Austrian painter’s exacting, unidealised eye across four decades of landscape work.

Hurvin Anderson’s Tate Britain survey explored how landscape can carry histories of migration, memory and belonging. Moving between Birmingham, Handsworth and the Caribbean, Anderson expanded the idea of British landscape beyond the rural canon, using parks, interiors and suburban spaces to examine distance, access and cultural identity.

David Hockney’s final London exhibition at Serpentine North closed on 23 August 2026, acquiring unexpected poignancy following the artist’s death in June. Centred on the monumental 90-metre A Year in Normandie, created from around 100 iPad drawings, the exhibition reflected Hockney’s enduring fascination with landscape, seasonal change and the act of looking. What began as a presentation of new work ultimately became a final reminder of one of the artist’s central convictions