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Tracey Emin: A Second Life at Tate Modern brought together four decades of work shaped by autobiography, the body, trauma and survival. From My Bed to recent paintings and bronzes, the retrospective revealed how Emin’s confessional practice has evolved into a meditation on mortality, memory and renewal.

Hurvin Anderson’s Tate Britain survey explored how landscape can carry histories of migration, memory and belonging. Moving between Birmingham, Handsworth and the Caribbean, Anderson expanded the idea of British landscape beyond the rural canon, using parks, interiors and suburban spaces to examine distance, access and cultural identity.

David Hockney’s final London exhibition at Serpentine North closed on 23 August 2026, acquiring unexpected poignancy following the artist’s death in June. Centred on the monumental 90-metre A Year in Normandie, created from around 100 iPad drawings, the exhibition reflected Hockney’s enduring fascination with landscape, seasonal change and the act of looking. What began as a presentation of new work ultimately became a final reminder of one of the artist’s central convictions