Tracey Emin: A Second Life at Tate Modern brought together four decades of work shaped by autobiography, the body, trauma and survival. From My Bed to recent paintings and bronzes, the retrospective revealed how Emin’s confessional practice has evolved into a meditation on mortality, memory and renewal.

A new Audience Agency report argues that Britain’s cultural sector needs a coordinated approach to artificial intelligence, with museums, galleries and heritage organisations sharing knowledge rather than experimenting in isolation. Based on practical case studies from 16 institutions, Let’s Get Real: AI recommends people-centred processes, flexible guardrails, small-scale experimentation, stronger data practices and sector-wide collaboration.